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Behold, the Poet!

Started by SA, October 15, 2006, 12:03:15 AM

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SA

Poetry I wrote from my heretofore limited life experience.  Enjoy.

Darkness
Makes the Heart Grow Fonder


The night and all its shadowâ,¬,,¢d splendour
Shrouds the ardent lovers tender
Casts darkness calm and silence hale
A sea on which the starlings sail

The pale visage of empress high
Commits the wayward winds to sigh
Her brilliant gaze inflames the night
A gibbous grin in heavenâ,¬,,¢s sight

A winter wind, and pale flesh shivers
Their lips are joined, a spirit quivers
Laughter marks their heartâ,¬,,¢s ascent
Love wrought beneath the firmament

Dutifully Yours

A smile despoiled with bitterness
Belies your outward tenderness
Doubt stays the fervour of your kiss
And sorrow casts your heart amiss

Suffer silent, though fear you must
The blithe betrayal of your trust
By he who speaks, whose words are naught
Conceals the love in him you sought

Nevertheless you stand your station
Subject yourself to abnegation
You wait for joy that may be dead
And clutch to dutyâ,¬,,¢s fragile thread

Shadow Puppets

Shadow puppet on the wall
Watch him dance, watch him fall
Wicked mistress
Vile and listless
When you say or not at all

Finger puppet laugh and play
Watch you throw his love away
Poured his heart out
Cut his heart out
You donâ,¬,,¢t want it anyway

Twisted finger
Lingers longer
Than a little finger should
Pulls the string
That makes him sing
And dance like any puppet would

Broken puppet on the floor
Walk away and shut the door
Vile and rotten
Misbegotten
Lovely puppet?
Nevermore

Dance, puppet
Dance

Hate Me Softly

For this you wait
Your conscience slate
Deny your heartâ,¬,,¢s dissent

You cry and bleed
And sow the seed
Of mounting malcontent

Though weep you shall
In passionâ,¬,,¢s thrall
Rebuff without relent

No respite here
To quiet fears
The doveâ,¬,,¢s cry dissonant

The baleful beast
His horrid feast
With wretched claws he rent

I am the blade
Whose love you bade
Whose will was devil-sent

Saving Grace

She said
Itâ,¬,,¢s all or nothing, you can
Take it or leave it, if you
Take some time to think about it
It wonâ,¬,,¢t matter in the morning
Because

Then
Iâ,¬,,¢ll be a memory, that
Precious teenage tragedy, that
Open heart you failed to see
Your kiss thrown out the window
And I

Know
That given half a chance, youâ,¬,,¢d
Take your sorry circumstance
And fuck it up again somehow
Youâ,¬,,¢re just that kind of person
I guess

Words
Your fickle words were lies, your
Promises like wax burnt off
The candle running liquid
Can you see the flame is faded?
I guess

Not
And so it goes and it will
Go until weâ,¬,,¢re burnt out, â,¬Ëtil
Our loveâ,¬,,¢s consumed and wasted
And weâ,¬,,¢re wasted and weâ,¬,,¢ve tasted
How itâ,¬,,¢s bittersweet
Itâ,¬,,¢s incomplete, that
Scathing final self-defeat
It rots away to nothing

So Iâ,¬,,¢ll
Kill it while itâ,¬,,¢s breathing, kill
That dying love thatâ,¬,,¢s bleeding, maybe
If I kill it soon enough
It will not be forgotten

More to come, maybe.

Seraph

Nice.  I like how it moves progressively further and further from the monotonous sing-song of so many poems.  It really got interesting when you changed it up from dull rhymed couplets to AAB CCB and AABBA.  Then in Saving Grace there really wasn't a rhyme scheme at all.  Not till the end, at least.  There was rhyme in a sense, but the rhyme for one line would be in the middle of another.  
It also gets progressively more intenst and evocative.  It starts with the cliche, which works quite well to get the reader into the poetry mood, then you hit us over the head with truly inspired literary creativity.
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SA

"Truly inspired literary creativity", eh?  I like that.

I think that in poetry the rythm and metre are as important as the content.  In terms of imagrey, Darkness and Dutifully Yours are my favourites, but they are also the dullest metrically.  Shadow Puppets and Saving Grace are much more dynamic, but their content isn't quite as colourful.

With time, hopefully I'll learn to maximise both elements.

beejazz

I'll be sure to read this again when there aren't a bunch of loud, drunk freshmen in the other room. It does look promising thus far.
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QuoteI don't believe in it anyway.
What?
England.
Just a conspiracy of cartographers, then?

Raelifin

Wow. This stuff is great! I love shadow puppets, but my favorite is saving grace. I particularly like the verse that begins with "Not" Even though it's inconsistant.

beejazz

Ah... returning to sanity and sobriety 'round these parts.
Shadow Puppets is by far my favorite.
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QuoteI don't believe in it anyway.
What?
England.
Just a conspiracy of cartographers, then?

Captain Obvious

Wow! Nicely done. If never really had the nack for poetry myself, but i do love it.
Go Go Gadget Iambic Pentameter, man.
Darkness
Makes the Heart Grow Fonder

As you said, the the most classic and well known rhythm, but it's something known and familiar that helps  to put people into a poetry mood. It also has some very potent imagery in it. The last stanza is my favourite. Also, kudos for using the word gibbous (i love that word so much).

Dutifully Yours
Slightly less standard pacing. It's good, but it doesn't have the amazing imagery of Darkness, or the interesting pacing of the later ones.

Shadow Puppets
This is my favoirite one. A much more interesting rhythm than the earlier ones, IMO, and really good images. This one is very good (the 3rd part especially, when it changes rhythm).

Hate Me Softly
This one is cool, but in a very differnt style. The pacing almost makes me think of like an old chant or a dirge or something (can't remembr the word for a kind of norse tales, but like that. Anyone know tha word i'm thinking of?)

Saving Grace
Finnaly, the broken up timing poetry. These i haveboth the hardest time writing and reading, but i have so much respect for anyone who can do thes well. You're defenitely on your way there i my opinion, but these are some of the hardest to do since you don't have as much already done stuff to guide you (iambic pentameter aren't too hard, but with this you're flying blind).

Well done sir, i salute you.
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SA

It's interesting that Shadow Puppets seems to be the general favourite; I personally like it the least out of the five.  It's a great poem, but it's just too... bouncy.  I wrote it because I had the rythm stuck in my head and I needed to put it to paper, but it's not the kind of poetry I generally like to write.

Hibou

I too like Shadow Puppets very much, so much that I'd like to make up some music to it. :)
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SA

By all means, go ahead.

My goal is to write a "poetic epic", in the tradition of Milton and Homer with a Lewis Carrol edge, based on my setting Concordance.  I figure, short stories based on settings are all well and good, but why not try something a little different?  It's a bold endeavour, but I feel up to the task.

SA

Actually, let me rescind earlier statements concerning Shadow Puppets.  I put the poem to music (just in my head), and it suddenly sounded a whole lot better.

SA

I wrote this for an english assignment in grade 10, so it's no literary masterpiece.  I know it ain't a poem, but...

Anyhoo, enjoy.


LETHAL pt. 1
The shopkeeper is a fat man.  Not terribly so, but enough that his pink paunch spills over his trousers and hugs his sweaty tunic tight against his chest.  His navel peeks out from beneath the fabric, and his gut jiggles slightly as he takes a startled step backwards, a pistol aimed squarely at his chubby face.  He doesnâ,¬,,¢t know exactly what Iâ,¬,,¢m pointing at him â,¬' Iâ,¬,,¢d wager a hundred to one heâ,¬,,¢s never seen a gun in his life â,¬' but I think he gets the general gist.

â,¬Å"Donâ,¬,,¢t move old son, or tragic things are gonna happen to that pretty face.â,¬Â  Before my boys and I had kicked our way into this dusty convenience store and stirred this chunky bastard from his languid stupor, I wonder what sorry cogitations were working their greasy way through his thick skull.  I doubt he could have conceived this, not out here, so far away from anything worth more than a squirt of hog-piss.  Neverthelessâ,¬Â¦

Iâ,¬,,¢m now giving the fat man a series of instructions, and the chunky sumbitch is taking his sweet time carrying them out.  His stupefied wife blubs quietly in the corner while he plays it cool and itâ,¬,,¢s pissing me off.  He eventually completes his task and hands the hefty sack of dosh to me over the counter. Heâ,¬,,¢s still calm, but I can tell heâ,¬,,¢s seething inside.

I grin, and raise the pistol away from his face.  Ã¢,¬Å"No harm, old son.  Weâ,¬,,¢ll be off then.  Boys!â,¬Â  The others finish rummaging through the chubberâ,¬,,¢s wares and ready themselves to leave.

But he mutters something then â,¬' sounds like â,¬Ëbarbariansâ,¬,,¢ â,¬' and I lose it.  Ã¢,¬Å"Is that so, you pretentious, shit-stained, grit-sucking fuck?  Well, you know what you are?â,¬Â  The pistol is once more trained on his pinched in, smug little face.  Ã¢,¬Å"Youâ,¬,,¢re dead, dead, dead!â,¬Â  Three perfect shots resound through the cramped store, complementing my frustrated shout and launching a deluge of crimson gore from his skull.  To my glee some of it spatters on his wifeâ,¬,,¢s dainty floral dress, and she screams.

This is shaping up to be a pleasant afternoon.
____

We are the Sunrazers: hellions, marauders and mercenaries, tearing across somnolent vistas with a foul stink and a raucous hell following close behind.  We arenâ,¬,,¢t for or against society â,¬' weâ,¬,,¢ve traded the fierce antipathy of our youth for the delightfully brutal ambivalence of experience.  We ride our howling motorknives on the malignant winds of chance, and eke out our wild existence beneath a cruel and unforgiving sun on a famined world where each morning brings only the promise of blood, sweat and the squeals of more ungrateful dead.

As we race across the desert a siren accosts our ears like the shrill cry of some dying beast, and I turn in my seat to send a cursory glance behind.  Itâ,¬,,¢s a lawman; I canâ,¬,,¢t see him yet, but the blaring blue light that cuts through the desert haze in the distance is a dead giveaway, if that god-awful siren wasnâ,¬,,¢t evidence enough.

Orric calls to me over the roar of our motors: â,¬Å"Ready to coast it?â,¬Â

I shake my head, and a fierce excitement stirs in my innards.  Thereâ,¬,,¢s no way Iâ,¬,,¢ll pass this up.  My companion curses in frustration but jerks his motorknife into high gear nonetheless, racing ahead as I veer sharply to the right.  Itâ,¬,,¢s a delicate balancing act keeping the damned vehicle upright as its tail whips around quickly to bring me facing backwards.  The motor dies for a second, and then purrs again.

I wait a moment as the lawman speeds into view.  His own ride is similar to my own, but not as sleek.  A wavering streak of desert sand rises and churns behind him, and as he draws closer the maddening ululation of the demon-spawned siren grows into a deafening cacophony, until suddenly that harsh cry becomes a voice.

â,¬Å"You are under arrest!â,¬Â

I give the engine a good rev, drawing my pistol from its holster with my free hand.  I laugh, spit, and take steady aim.  Ã¢,¬Å"And you know what you are?â,¬Â

Three perfect shots resound throughout the barren plain.

SA

But in more poetry-oriented news, I'm writing a fantasy poem!  Here's a sneak-peak of the second-last stanza.

Scarlet rose the fulsome morn, a sanguine mantle quaffed the shade
As heavenâ,¬,,¢s flame surmounted Dawn, her queenly countenance to fade
And soon the starlit arch supernal, clasped in gloomâ,¬,,¢s embrace eternal
Hailed the fervid blaze infernal, casting light across the glade

The full poem, of course, is much longer, but it ain't finished yet.

SA

Ah, there are few things as satisfying as having an entire poetic work in progress deleted, then remembering it verbatim.  All is well, and the epic continues!

Túrin

Nice. Can't wait to see the final result. Must be good, if you know it by head. ;)

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